1.15 The Final Chapter
I didn't watch The Killing, but apparently fans of the
programme have said that the ending was less than satisfying. Too many
loose ends, too much held over for the next season, too little
resolution. The Following will not be having that problem,
thanks to a satisfying, tense, and really well done final episode for
the first season. Fittingly called The Final Chapter, the book
is pretty effectively closed on the Joe Carroll saga while still having a
cliffhanger leading into the second season.
For a show that has been pretty brainless throughout its run, it
opened very strongly and it ended very strongly, suggesting that the
initial 'movie' from writer/creator Kevin Williamson suffered from the
process to extend it to a full season of television. Indeed, the opening
was very good and the show kind of struggled to build from there until
the past few episodes when the rising action toward the climax began to
build. When things in Joe Carroll's world started falling apart, The Following
pulled together. It never quite became as good as I had hoped, or as
good as the actors had hoped, but it certainly became something
watchable.
That's particularly true this week. Given that this is the end of the season, there's no reason for The Following
to hold anything back (even though it's been approved for a second
run). To that extent, the show really seemed to increase the pressure,
add to the tension (particularly towards the end of the episode), and
pile up the bodies like cordwood. There's a certain brutality that comes
out of the show in times of stress, and despite being on network
television, it seems to revel in brutality. I believe I've figured out
how The Following is able to do so many terrible things
(especially this week) while not getting crushed by the censors. It
shows stabbings and shootings and the like, but the real violence isn't
in the collapsible knife blade or the exploding squibs, it's in the
foley room. The sound effects, as best displayed by Joe stabbing some
random boat captain to death in a lighthouse this week, are absolutely
stomach-churning when seen alongside the actual killing. The squishy
sound design is just brilliant.
If The Following ended with the closing title card on this
season, it'd be... pretty satisfying, if weird. However, there's going
to be a second season, and while I have a pretty good idea of what that
might be (they kind of hint at it with the end of this episode), I have
to say that closing the book on frustrated author and Poe fanatic Joe
Carroll might be the best thing for the show in the long run. It gets it
closer to the dream version of The Following, which is Ryan
Hardy and Mike Weston as a two-man anti-crime squad facing off against a
host of anonymous, easy-to-kill-and-torture serial killers led by a
shifting cadre of masterminds. Alternately, if that gets boring after
what I can only assume will be a successful second season, ratings-wise,
you have one agent turn on the other one and jump ship to the bad guys
(not such a far off proposition when you consider how much of a loose
cannon Ryan Hardy has been all season, what with the randomly breaking
fingers and beating information out of suspects like Jack Bauer on a
coke bender).
Really, if the show just wants to use its biggest strength and make
it solely about Ryan Hardy and his curse, I'm all about that. Shawn
Ashmore has been a fine partner for Bacon to play off, and the two work
as a pretty good buddy cop pairing of wily veteran and the younger,
inexperienced agent willing to learn at his feet. Call them Batman and
Robin, except Batman is openly a vigilante and Robin is also crazy and
dangerous rather than a pre-teen in tights.
The Following was sold with Joe Carroll being described as
brilliant, charismatic, and psychotic, but that sounds a whole lot more
like the show's protagonist than its antagonist.
Source: http://www.denofgeek.com